Agony And The Ecstacy :: essays research papers

The ache and the Ecstacy depicts Michelangelos struggle to become the embodiment of Renaissance humanism. In the function of the novel Michelangelo mustiness overcome the interference of his family, religious dogma, political intrigue, overblown patronage, military campaigns, and artistic jealousy to realize his artistic ambition.Despite his fuck offs opposition, twelve-year-old Michelangelo becomes an apprentice, first to painter Ghirlandaio and then to Bertoldo, a sculptor, who directs a prepare financed by Lorenzo de Medici, patron of Florentine art. Michelangelo quickly wins Lorenzos esteem, meets his children (among Them dickens hereafter popes, Giulio and Giovanni, and Contessina, his first love), suffers the first of several attacks by jealous colleagues (his nose is confused by Trrigiani, whose later appearances always threaten Michelangelo), and through forbidden dissection learns the word form and physiology he needs. Eventually Savonarola, a reform priest, comes to power, and his crusading zeal threatens Lorenzo de Medicis family and the Florentine art world.When Savonarola gains political, as well as religious control, Michelangelo flees Florence and travels to Bologna, where he meets the aesthetical Clarissa Saffi and carves the Bambino that attracts the attention of Leo Baglioni. In Rome for the first time, Michelangelo meets Jacopo Galli, a banker, who commissions a sculpture Giuliano Sangallo, an architect and Bramante, another architect and an adversary. In Rome, Michelangelo carves the Pieta, learns slightly the whims of religious patrons, and becomes interested in St. Peters the building of the saucily St. Peters will embroil him in controversy and lastly consume his last years.Michelangelo return to Florence, where he carves the Giant, a sculpture of David which becomes the symbolism of Florence. There he meets Leonardo da Vinci, his principal rival, and Raphael, the painter the lead become the triumvirate of Renaissance Ita lian art. Jealous of Leonardo Michelangelo competes with him as the two artists paint frescoes for the rulers of Florence.Word of Michelangelos work reaches pontiff Julius, who forces Michelangelo to work in bronze, rather than his beloved marble, and to paint the Sistine Chapel ceiling. It is Julius who resolves to build a fresh St. Peters.Julius is followed by two Medici popes who only add to Michelangelos problems Giovanni, by forcing him to work with marble from Pietrasanta, an almost inaccessible region, thereby making Michelangelo an engineer, and Giulio, against whose forces Michelangelo must use his engineering talents to fortify the city of Florence. The Medici popes are followed by Pope Paul III, who commissions Michelangelo to paint the Last Judgment and who, after bitter disputes astir(predicate) the ongoing building of St.